Have you ever wanted to play guitar like the greats? While it’s easy to pass off their amazing guitar skills as pure talent alone, it’s more important to examine that massive amount of smart work that went into mastering those guitar skills. For every Slash and Eric Clapton, there are hundreds of wannabe guitarists wondering just how they could make it there, and without the right combination of inspiration and learning skills, it’s easy to think that you could end up along with them. Don’t worry, learning guitar isn’t something that has to suck up a lot of your time, nor does it need to be a hobby that you grow to dislike. By shedding the conventional learning styles and focusing on acquiring the most important and vital skills, you can fast-track your guitar progress and be out there playing your favourite songs and solos in no time at all.

It all comes down to mastering the most important techniques. While many guitar schools and courses focus on the less important skills; mastering kids songs and practicing scale after scale, very few actually put the most important skills in any real practical context. Instead of practicing mindless children’s songs that you can’t stand listening to, the best way to master guitar is by playing and mastering the music that you love to listen to.

That’s right, learning guitar doesn’t have to be about mastering nursery rhymes and ‘Smoke on the Water.’ Ask any experienced guitarist what part of learning they think is most important and they’ll tell you to simply focus on doing what you enjoy. All the essential skills of guitar, the scale learning, the playing positions, and the hand dexterity, they all extend from mastering the songs of your favourite artists and guitarists.

Ready to kick-start your guitar progress? Skipping past the basics requires quite a lot of dedication and a determination to master what’s truly important. This free report, packed full of information on mastering the most fundamental and versatile guitar techniques, is the perfect resource for beginners looking to master guitar in a style that suits them.

Click Here To Download Your Free Perfect Guitar Solos Report

So don’t despair — learning guitar doesn’t have to be something that feels like homework. When you focus on the aspects of guitar that you already love, you can boost your dedication and fast-track your learning progress. Using the knowledge and information within this free report, you can get the guitar skills that you dream of without the endless hours of monotonous practice.

Click Here To Download Your Free Perfect Guitar Solos Report

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Have you ever picked up your guitar, hoping to play like the greats, and run out of motivation to continue? Almost every major guitarist had the same feeling, but instead of packing their guitar away and discontinuing their experience, they found a playing and learning style that worked for them. The major problem facing newbie guitarist isn’t a lack of willpower, it’s a lack of suitable learning style. While most guitar classes fail to cover the basics, and instead focus on the flashy and non-substantial, they leave newbie guitarists sitting wondering where they’ve gone wrong and how they can improve their abilities.

Don’t worry; your guitar experience doesn’t need to end because you can’t find a suitable teacher. Instead of focusing on teacher orientated education, you’re best to look for student orientated education. Thanks to the technical advances made possible by the internet, you can easily get a perfect guitar education online, without having to visit any guitar teachers or sit through any unnecessary guitar education.

What if instead of focusing on techniques that aren’t very useful and songs that you don’t enjoy, your guitar education could focus on learning songs that you love and mastering techniques that you’ll use every day? While most guitar programs focus on the trivial and boring, mastering songs that only five year olds enjoy and quickly bore guitarists, the new opportunities of internet learning make it possible to master songs from your favourite artists as quickly or slowly as you would like.

Want to get started? This free report is packed full of guitar information, ranging from how-to guides to important technical explanations of the most important and fundamental guitar techniques. If you’ve ever been stuck wondering where to go with your guitar learning, this report is a must read.

Click Here To Download Your Free Perfect Guitar Solos Report

Don’t worry about those boring beginner songs. By focusing on the fundamentals of guitar acquisition; the scales, modal shapes, and master techniques, you can transform your guitar skills from allowing you to play that most basic and boring songs to allowing you to master songs from your favourite artists and guitarists. Don’t worry, learning guitar doesn’t have to be a task, and by applying the principles and advice from this free report, you can speed up your guitar progress and learn the songs that you want in the style that you’re comfortable with.

Click Here To Download Your Free Perfect Guitar Solos Report

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Songwriters On A Mission Guest Writer

How to select a guitar teacher for your child

Here are some tips for parents to evaluate potential teachers, understand your role in your child’s lessons, and to help find a qualified teacher.

So you’ve decided to seek out a qualified guitar instructor for your child. Where to start? Well, some choices are to use search engines, phone books, local music stores, and local schools and colleges to find a teacher near you. The challenge, however, is to find someone who is both well qualified and enjoys teaching children. How do you know if a teacher is well qualified you ask? Good question. There is no governing board for private guitar teachers that specifies a specific education or certification requirement, so you have to inquire about your teacher’s background yourself.

Some considerations when selecting a guitar teacher for your child should include the following:

1) Does the teacher feel that your child should learn to read notes, learn musical terms, and music theory? They should. I think there’s nothing wrong with a teacher showing some things by rote or using alternate notation methods occasionally such as tablature to keep a child’s interest, but the focus should be on learning standard notation. There’s no replacement for notation when it comes to laying the foundation for complete musical understanding. The exception would be very young students being taught in the Suzuki method, where the student is taught by rote initially with standard musical notion being brought in later.

2) Does the teacher’s own background illustrate that they have training in these areas? It’s a safe bet that teachers with music degrees specifically in guitar are qualified in this area. It’s harder to evaluate teachers without degree’s in these areas, but this does not disqualify them, just as a degree does not automatically qualify a teacher. Having a degree simply makes it more likely that they will have the necessary knowledge to effectively teach your child. You must ask them about their experience and evaluate their abilities first hand to see that they are knowledgeable. This can be tough to evaluate if you have no musical training, so tread carefully as there are many people that market themselves as guitar teachers that are not very good in these areas. Don’t get fooled by marketing. Evaluate their resume and experience. For example: A local teacher that plays in the local church’s worship band may be a fine guitar player for that style and a nice person, but that doesn’t necessarily qualify them as a guitar teacher for your child. They may know little of music theory, note reading, or other styles of music.

3) Do you want your child to learn classical guitar? If so, then you need a classical guitarist, period. This is a very specific field of study that requires extensive and specific training. Don’t trust someone that says they teach classical guitar that does not have a degree in classical guitar from a reputable institution. Classical guitarists are often proficient in and teach many popular styles as well, but really are the only ones to go to when it comes to learning classical guitar.

4) What if I want my child to be a rock/pop guitar player or singer-songwriter, do they really need to know all of this stuff? Yes, you should still encourage note reading! There’s no way it’s going to hurt someone’s development. The idea that formal music training might stifle creative development is something as a guitarist I’ve heard before but believe is a misguided notion coming from the guitar being part of our popular culture, often being taught by rote, and compounded by the existence of talented and successful singer-songwriters that have little formal music education. This can give people the impression that note reading is simply not necessary. The truth is that note reading will help your child better facilitate the writing process, but also prepare them for a broader musical life that may include teaching, studio playing, composing, transcribing, ect. Would the Beatles have been as good without the help of their classically trained composer/producer George Martin? I don’t think so and neither does the famous guitarist Jeff Beck. You’re paying top dollar for guitar lessons for your child, so why limit their musical future?

5) Should the teacher be a top level performer? Not necessarily. I believe they should be able to play at a high level though, which is usually the case with guitarist that have performance degrees. You want to make sure that a teacher has been able to translate their own understanding of the guitar into their playing. However, some people just enjoy teaching more than performing and therefore have a more extensive resume in teaching than performing. This is a good thing, as they may still be very high caliber players that simply love to teach. Also, some top level performers may not be around often enough to give lessons consistently, which is especially important for children.

6) Is it ok for you to sit in on the lessons? It should be, and for children’s lessons some sitting in by the parents should be encouraged. You’re going to have to supervise your child’s practice at least some throughout the week if you want them to make good progress. You’ll need to pay attention to the important reminders your teacher gives during the lessons so that they can be reinforced during the week. Remember, it’s the work you and your child do during the week that has the biggest impact on your child’s success. If you sit in on lessons, make sure to let your teacher do their job and not interrupt too much. Occasionally, I’ve had parents who have completely lost patience with their child during the lesson. Though they were only trying to help, they ended up completely ruining the supportive atmosphere of the lesson and consequently the child’s enjoyment. It’s a pretty awkward situation being the teacher in that situation to say the least, and it’s counterproductive to your child’s success. A child needs to feel that it’s ok to make some mistakes while they’re learning, otherwise they’ll give up quickly. So, let your teacher do their job but pay attention to their tips, and you may even want to try playing some of the studies so you can help your child at home.

Where to find a teacher that satisfies this criteria:

Music stores

While local music stores are often a good place to find a qualified teacher, they’re not without their pitfalls. Some pros: convenient, as they carry the supplies you’ll need and usually have a wide variety of teachers from which to choose. Cons: some teachers may have little to no teaching experience, you’ll often pay the same fee for any of the teachers regardless of their credentials and experience, store’s often have registration/sign up fees to help pay their bills, fees may also rise more often so that the store can stay in business, they may force you to use substitute teachers if your teacher is out sick or out of town, and there’s always the possibility that the store may suddenly go out of business leaving you scrambling to find a new teacher.

So let’s say you’ve chosen to inquire about guitar lessons at your local music store. You should ask the management/owner about the different teacher’s backgrounds and which teacher does the best with children. Assuming you feel comfortable with their suggestion, it is advisable that you wait, if necessary, for an opening with that teacher if their schedule is full rather than starting with someone else. Starting with an unsuitable teacher may give your child a bad initial impression of lessons and could ruin their enthusiasm for learning the instrument forever. As stated, music stores usually have  some excellent teachers, but they also often have people with little to no teaching experience as well. You have to keep in mind that their main mission is to keep their studios full so that they can stay in business. It’s possible that they may suggest a teacher that is not nearly as qualified or child friendly if the best suited teacher for your child is full. Remember, it’s your child so it’s your choice who teaches them. Don’t lower your standards for convenience. (I don’t want to sound like I’m bashing music stores as I’ve taught at many of them. These opinions are based on my own experience with them over the years)

Other sources

Private music “schools or academies”. These are usually just private businesses like music stores and have the same potential plusses and minuses except they usually don’t sell instruments. The term school or academy should not denote more credibility as they are not any better or worse a source for teachers than music stores.

Recommendations from public schools and colleges are another good option for finding well qualified teachers who teach privately.

Phone books and internet searches, including music teacher databases can also be good sources for finding local teachers.

Recommendations from friends can be helpful as well, but make sure to do your own research on the teacher. It’s worth the extra effort.

Summary

The important thing is to look at your teacher’s resume and interview them. You may find a highly qualified teacher in your own neighborhood that charges the same or less than a less qualified teacher at a local music store. Many qualified teachers prefer teaching at home as it eliminates the high studio rent they have to pay at the music stores, eliminates their travel, eliminates the risk of losing their job if the store where they teach goes out of business, and allows them to make their own schedule.

Another important point is that you may need to try a month or so with a teacher to see if they are right for you. Unless the teacher is just awful, you may not get a good idea of their abilities in a single lesson. Keep these tips in mind and you should be able to find an excellent, long term guitar teacher for your child.


 

About the authorJames Stephens is a guitar player and teacher located in Overland Park, KS. Mr. Stephens earned a bachelor’s degree in guitar performance at TAMU-CC in Corpus Christi, TX under the guidance of Philip Hii and a master of music degree in guitar performance at UMKC Conservatory in Kansas City, MO under the direction of Douglas Niedt. Mr. Stephens has taught guitar privately, in music stores, and at colleges and universities for 15 years and currently teaches at his home in Overland Park, KS where he lives with his wife,  son, and cat. Please visit www.jamesstephensguitar.com for more info about James Stephens. 
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Songwriters On A Mission Guest Writer

With the exploding realm of modern technology, computer software has begun to play an integral role in artistic expression. Photoshop is a great tool to edit photos. Dreamweaver can help you create amazing looking websites. Flash helps you create and edit videos. But what about music production?

What about make-your-own-beats software? Music production software has been on the rise with the explosion of modern technology and the Internet. But what do Photoshop, Dreamweaver, and Flash all have in common?

They’re expensive!

And unfortunately, there are those make-your-own-beats software programs that aren’t cheap either. Lucky for you, home music production has become so popular that there are a few high quality programs that you can find without forking over your entire life savings.

In general, when choosing a make-your-own-beats software program, you should make sure that all of the following are included:

Access to detailed learning tutorials A 100% guarantee An online beat maker Over 1000 sounds to choose from The chance to learn how to play instruments like keyboards, drums, guitar, etc. Tips for songwriting Information on how to use samples Information on how to produce all sorts of different genres Information on how to create scores out of your music

These are the building blocks to your success as a new music producer! It can be hard to find all of these components in a make-your-own-beats program without spending too much money, but if you know where to look, you’ll be making your own great beats in no time.

As one of the most top reviewed and sought-after make-your-own-beats software programs out there, Sonic Producer has been known to constantly deliver outstanding results in music production. This is a great program to get started with and you’ll be amazed at how easy it can be to start creating such great sound music.

Elise Moreau is an accomplished conservatory piano player who has been playing the piano for over 15 years. To find out what music production software she uses to collaborate with piano, visit www.SonicMusicProduction.com or for more information on music creation, click here.
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Songwriters On A Mission Guest Writer

Poetry, Spoken Word, Rapping, Singing, Rock & Roll, and Country are just a few forms used as a catalyst for rhyming. The art of rapping could also be categorized as the art of rhyming. How a rapper rhymes is an important part of the song being crowned successes not only that but rhymes are an important part of the song period. They assist in helping us to remember the song.

It is said listeners of popular music have been unconsciously trained to expect rhymes in certain places of a song. That’s insane right? That’s not even the ticker. It’s said that if the artist doesn’t rhyme in the anticipated part of the song, the listener usually things there is something wrong with the song.

The way you rhyme
-Helps hold the listeners attention
-Should make the lyrics easy to remember
-Keeps the anticipated listener satisfied

It’s hard to come up with rhymes and still keeping the meaning of the song. Most of the time, the meaning of the song is way more important than the rhyme itself.

Some artist will try to add or force a rhyme in a line trying to enforce the rhyme instead of the meaning. This can cause your rhyme to have no meaning or make no sense.

Example 1. We pull up on the set
Sittin low rim spinin
Leanin out the window
Countin money while I’m chillin

The most effective rhymes always seem to be the most effortless. Biggie Smalls had an effortless rhyme style. You almost can always rewrite a line or end a line with a rhyme and still capture the meaning without losing it altogether.

Example 2. We pull up on the set
Sittin low, 20 inches
Leaning out the window
Stack money, get riches

In other words you can replace a word too hard to find a rhyme for, with a easier rhyming word and still not change the particular meaning that you’re trying to portray in the song.

Hope these tips help you understand the art of rhyming a little more today than you did yesterday.

Jamaal “J-Mill” West has been rapping for over 15yrs. He is author of The Official How To Rap Manual and owner of How2rap.com which is a platform for aspiring rappers – where you can find articles, rap tips, and resources. “My goal is to help anyone how once to become a better rapper”
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