August 20, 2010 | 
Author Songwriters On A Mission Guest Writer
The founding years
The name “Grass Roots” originated in 1965 as the name of a band project by the Los Angeles, California songwriter and producer duo of P.F. Sloan and Steve Barri. Sloan and Barri had written several songs in an attempt by their record company, Dunhill Records to cash in on the budding folk rock movement. One of these songs was “Where Were You When I Needed You,” which was recorded by Sloan and Barri and a now forgotten line-up of studio musicians. Sloan provided the lead vocals and played guitar. The song was released under “The Grass Roots” name and sent, as a demo, to several radio stations of the San Francisco Bay area.
When moderate interest in this new band arose, Sloan and Barri went to look for a group that could incorporate The Grass Roots name. They found one in a San Francisco group named “The Bedouins” and cut a new version with that band’s lead vocalist, Willie Fulton. In 1965, the Grass Roots got their first official airplay on Southern California radio stations, such as KGB(AM) in San Diego and KHJ in Los Angeles with a version of the Bob Dylan song, “Mr. Jones (Ballad Of A Thin Man)”. For some months, The Bedouins were the first “real” Grass Roots but the partnership with Sloan and Barri broke up when the band demanded more space for their own more blues rock-oriented material (which their producers were not willing to give them). Willie Fulton, Denny Ellis, and David Stensen went back to San Francisco, with drummer Joel Larson the only one who remained (he was to become a member of a later Grass Roots line-up, as well). In the meantime, the second version of “Where Were You When I Needed You” peaked in the top 40 in mid-1966; an album of the same name sold poorly, probably because there were no Grass Roots anymore to promote it at the time of its release.
The years of success
The group’s third and by far most successful incarnation was finally found in a Los Angeles band, called The 13th Floor (not to be confused with the 13th Floor Elevators). This band consisted of Creed Bratton, Rick Coonce, Warren Entner, and Kenny Fukomoto and had formed only a year earlier before submitting a demo tape to Dunhill Records. Rob Grill was recruited into the band when Fukomoto was suddenly drafted into the army. The band was offered the choice to go with their own name or choose to adopt a name that had already been heard of nationwide.
As The Grass Roots, they had their first top 10 hit in the summer of 1967 with “Let’s Live For Today” (an English cover of “Piangi con me”, a 1966 hit for the Italian quartet The Rokes). With Rob Grill as lead singer, they recorded a third version of “Where Were You When I Needed You.” The band continued in a similar hit-making vein for the next five years (19671972). In the beginning, they were one of many U.S. guitar pop/rock bands, but with the help of Barri and their other producers, they developed a unique sound for which they drew as heavily on British beat as on soul music, rhythm and blues and folk rock. Many of their recordings featured a brass section, which was a novelty in those days among American rock bands, with groups like Chicago just developing.
The Grass Roots songs hitting the radio in these times include “Let’s Live For Today” and “Things I Should Have Said” (1967); “Midnight Confessions” (1968); “Bella Linda”, “Lovin’ Things”, “The River Is Wide”, “Wait A Million Years”, and “Heaven Knows” (1969); “Walking Through The Country”, “Baby Hold On”, and “Temptation Eyes” (1971); “Sooner Or Later” (1971); and “Two Divided By Love” (1971). The bulk of the band’s material continued to be written by Dunhill Records staff (not only Sloan and Barri). The Grass Roots also recorded songs written by the group’s musicians, which appeared on their albums and the B-sides of many hit singles. The most successful of their hit singles were “Let’s Live For Today” (U.S. #8) in 1967, “Midnight Confessions” (U.S. #5, their biggest hit) in 1968, “Wait A Million Years” (U.S. #15) in 1969, “Temptation Eyes” (U.S. #15) in 1971, “Sooner Or Later” (U.S. #9) in 1971, and “Two Divided By Love” (U.S. #16) in 1971.
In 1969, Creed Bratton left and was replaced by Dennis Provisor on keyboards and vocals, plus rotating lead guitarists Terry Furlong and Brian Naughton to form a quintet the first of many line-up changes that the band was to be subject to. In 1971, Rick Coonce, Terry Furlong, Brian Naughton, and Dennis Provisor left and were replaced by Reed Kailing, Virgil Weber and original member Joel Larson. The singer/songwriter/guitarist duo of Warren Entner (later a successful heavy metal manager with groups such as Rage Against the Machine and Quiet Riot) and Rob Grill remained the point of focus in all these years.
The final years
From 1970 on, success slipped away slowly but surely. The Grass Roots had their last top 10 hit with “Sooner Or Later” in June, 1971, and success with “Two Divided By Love” not long after. Their final two hits in 1972 were “The Runway” and “Glory Bound”. Follow-up singles sold disappointingly or failed to chart altogether – it was clear that their time was over. The 1976 single “Out In The Open” became their swan song, with the band having disbanded the previous autumn.
Rob Grill remained in the music business and launched a solo career in 1979 (assisted on his solo album by several members of Fleetwood Mac). When interest in bands of the 1960s began to rise again in the 1980s, Grill reformed The Grass Roots (now as “The Grass Roots Starring Rob Grill”) and tours the United States. He continues to lead the band into the new millennium and is the voice of The Grass Roots, playing many live performances up to the present day.
In 1982, The Grass Roots performed an Independence Day concert on the National Mall in Washington, D.C., attracting a large crowd. However, in April 1983, James G. Watt, President Ronald Reagan’s Secretary of the Interior, banned Independence Day concerts on the Mall by such groups. Watt said that “rock bands” that had performed on the Mall on Independence Day in 1981 and 1982 had encouraged drug use and alcoholism and had attracted the “the wrong element”, who would mug people and families attending any similar events in the future. During the ensuing uproar, Rob Grill stated that he felt “highly insulted” by Watt’s remarks, which he called “nothing but un-American”.
In 2006, former manager Marty Angelo published a book entitled, Once Life Matters: A New Beginning which has numerous stories about his life on the road with Rob Grill and The Grass Roots back in the early 1970s.
Since 2005, Creed Bratton can be seen as “Creed Bratton”, Quality Assurance Officer, in the American NBC television situation comedy The Office. He continues to write songs and has released several solo albums, including Chasin’ the Ball, The ’80s, Coarsegold, and Creed Bratton.
Discography
Singles
Release date
Title
Flip side
Record label
Chart Positions
US Charts
Cashbox
UK
1966
Mr. Jones (Ballad Of A Thin Man)
You’re A Lonely Girl
121
Where Were You When I Needed You
These Are Bad Times
28
Only When You’re Lonely
This Is What I Was Made For
96
1967
Tip Of My Tongue
Look Out Girl
Let’s Live for Today
Depressed Feeling
8
Things I Should Have Said
Tip Of My Tongue
23
Wake Up, Wake Up
No Exit
68
1968
Melody For You
Hey Friend
123
Feelings
Here’s Where You Belong
Midnight Confessions++
Who Will You Be Tomorrow
5
1969
Bella Linda+++
Hot Bright Lights
28
Melody For You
All Good Things Come To An End
Lovin’ Things
You And Love Are The Same
49
River Is Wide, The
(You Gotta) Live For Love
31
I’d Wait A Million Years
Fly Me To Havana
15
Heaven Knows
Don’t Remind Me
24
1970
Walking Through The Country
Truck Drivin’ Man
44
Baby Hold On
Get It Together
35
Come On And Say It
Something’s Comin’ Over Me
61
Temptation Eyes
Keepin’ Me Down
15
1971
Sooner Or Later
I Can Turn Off The Rain
9
Two Divided By Love
Let It Go
16
1972
Glory Bound
Only One
34
Runway, The
Move Along
39
Anyway The Wind Blows
Monday Love
107
1973
Love Is What You Make It
Someone To Love
55
Where There’s Smoke There’s Fire
Look But Don’t Touch
We Can’t Dance To Your Music
Look But Don’t Touch
Stealin’ Love (In The Night)
We Almost Made It Together
1975
Mamacita
Last Time Around, The
71
Naked Man
Nothing Good Comes Easy
1976
Out In The Open
Optical Illusion
1982
Here Comes That Feeling Again
Temptation Eye
She Don’t Know Me
Keep On Burning
Powers Of The Night
Powers Of The Night
++Gold Record – RIAA Certification +++Composed by Italian superstar Lucio Battisti)
Albums
1966 – Where Were You When I Needed You
1967 – Let’s Live for Today (US #75)
1968 – Feelings
1968 – Golden Grass (US #25) Gold Record – RIAA Certification
1969 – Lovin’ Things (US #73)
1969 – Leavin It All Behind (US #36)
1970 – More Golden Grass (US #152)
1971 – Their 16 Greatest Hits (US #58) Gold Record – RIAA Certification
1972 – Move Along (US #86)
1973 – Alotta’ Mileage
1975 – Self Titled
1978 – 14 Greats
1982 – Powers Of The Night
2000 – Live At Last
2001 – Symphonic Hits
2008 – Live Gold
Pop culture
The name Grass Roots was used sporadically by Arthur Lee of Love, in the Los Angeles area. Dunhill Records secured the legal use of the name by releasing a record, which Lee never did.
The song “Let’s Live For Today” has the identical Italian melody and virtually the same arrangement that was used in an earlier song called “Be Mine Again”; although this song includes the “One, Two, Three, Four” and “Sha-La-La-La-La” as in The Grass Roots hit, the lyrics are otherwise different. The version by the Dutch band The Skope that was released in 1966 is included on the Pebbles, Volume 15 LP.
The band was seen in the Doris Day film With Six You Get Eggroll. They play the song “Feelings” at a crowded dance party.
The Grass Roots have appeared on over 50 national television shows including, The Tonight Show, The Today Show, Ed Sullivan, Andy Williams, Sonny & Cher, Good Morning America, VH1 Hit-Makers, MTV, and a record sixteen times on Dick Clark American Bandstand.
The 1975 Self Titled LP is seen in the film FM. The back cover appears in a long DJ broadcast room scene with characters played by Cleavon Little and Martin Mull.
The band is mentioned by John Candy’s character in the film Uncle Buck. He comments about the music while navigating a teenage party looking for his missing niece.
Guitarist Creed Bratton plays a character also named Creed Bratton, a fictional version of himself, in the US version of the television show The Office. In a scene that never aired from the episode “Booze Cruise”, Bratton’s boss, Michael, borrowed the guitar from a cruise ship’s band and poorly plays a version of “Smoke on the Water” by Deep Purple. Bratton then takes the guitar from Michael and proceeds to surprise the rest of the passengers with his excellent playing. The scene then cuts to a confessional, where Bratton talks of his time with The Grass Roots, complete with pictures of the actual band and references to actual tours. In another deleted scene from the episode “Product Recall”, a fictional Scranton Times writer notices Bratton was a member of The Grass Roots. He also sang one of his own songs titled “Spinnin’ N Reelin’” in the episode “A Benihana Christmas”.
The band was mentioned frequently on the nationally syndicated Don and Mike radio show. Don Geronimo sat in with the band several times at performances in the Washington DC area.
The Grass Roots version of the Bob Dylan song, “Ballad Of A Thin Man”, was featured in the 1987 Robin Williams film Good Morning, Vietnam.
The Grass Roots song “Midnight Confessions” was featured in the 1997 film Jackie Brown.
The Grass Roots song “Let’s Live For Today” was used in a 2008 TV commercial to promote the Volkswagen Routan.
Members
19651967
Steve Barri (b. Steven Barry Lipkin, February 23, 1942, Brooklyn) Various Instruments, Producer, Songwriter
Denny Ellis Rhythm Guitar
Willie Fulton Lead Vocals, Lead Guitar
Joel Larson (b. April 29, 1947, San Francisco) – drums
P.F. Sloan (b. Philip Gary Schlein, September 18, 1945, New York) Lead Vocals, Various Instruments, Producer, Songwriter
David Stensen (b. February 25, 1947, San Bruno) – Bass Guitar
Classic Lineup 19671971
Creed Bratton (b. William Charles Schneider, February 8, 1943, Los Angeles) Lead Guitar, Lead Vocals, Songwriter (to 1969)
Rick Coonce (b. Erik Michael Coonce, August 1, 1946, Los Angeles) Drums, Songwriter
Warren Entner (b. July 7, 1944, Boston) Lead Vocals, Rhythm Guitar, Songwriter
Terry Furlong (b. December 31, 1942, London) Lead Guitar (1969-71)
Rob Grill (b. Robert Frank Grill, November 30, 1943, Los Angeles) Lead Vocals, Bass Guitar, Songwriter
Brian Naughton Lead Guitar (1969-71)
Dennis Provisor (b. November 9, 1950, Los Angeles) Lead Vocals, keyboards, Songwriter (1969-71)
19721975
Warren Entner Lead Vocals, Rhythm Guitar, Songwriter, Producer
Rob Grill Lead Vocals, Bass Guitar, Songwriter, Producer
Reed Kailing Lead Guitar, Songwriter (1972-74)
Reggie Knighton (b. November 3, 1953, Biloxi) Lead Guitar (1974-75)
Joel Larson Drums
Terry Dailey Drums
Dennis Provisor Lead Vocals, Keyboards, Songwriter
Virgil Weber Keyboards (1972-74)
Gene Barkin Guitar, Vocals
Terry Furlong Lead Guitar
Post1975
Rick Alexander Lead Guitar
Steve Berndt Bass Guitar
Brian Carlyss Bass Guitar
Terry Danauer Bass Guitar
Alan Deane Lead Guitar, lead/background vocals
Coy Fuller Drums
Ralph Gilmore Drums
Rob Grill Lead Vocals, Bass Guitar, Songwriter
Scott Hoyt Lead Vocals, Lead Guitar
Joel Larson Drums
Charles Judge Keyboards
Reagan McKinley Drums
Luke Mearett Drums
David Nagy Lead Vocals, Bass Guitar
Terry Oubre Lead Guitar
David Page Drums
Dennis Provisor Lead Vocals, Keyboards, Songwriter
Hal Ratliff Keyboards
Dave Rodgers Keyboards
Scott Sechman – Lead Guitar, Vocals
Glen Shulfer Lead Guitar
Mike Steck Bass Guitar
Gene Wall Keyboards, Vocals
Current
Mark Dawson – Secondary Bass Guitar and Vocals
Joe Dougherty Drums
Rob Grill Lead Vocals, Bass Guitar, Songwriter
Dusty Hanvey Lead Guitar
Chris Merrell Secondary Guitar
Larry Nelson Keyboards
References
^ Whitburn, Joel (Jan 2000). The Billboard Book of Top 40 Hits (7th ed.). Watson-Guptill Publications. p. 262. ISBN 0823076903.
^ Grass Roots at Allmusic
^ “The Grass Roots Official Site ((( Official Biography )))” (in English). The Grass Roots. http://the-grassroots.com/html/biography.html. Retrieved 2009-08-18.
^ Biography
^ “July 4: Day of Music, Parades, Fireworks”, The Washington Post, Washington, D.C., July 3, 1982, p. D1.
^ a b c Phil McCombs, “Watt Outlaws Rock Music on Mall for July 4″, The Washington Post, Washington, D.C., April 6, 1983, p. A1; Phil McCombs and Richard Harrington, “Watt Sets Off Uproar with Music Ban”, The Washington Post, Washington, D.C., April 7, 1983, pp. A1, A17.
^ “Creed Bratton” (in English). IMDb.com, Inc.. http://www.imdb.com/name/nm0105588/. Retrieved 2009-06-18.
^ “allmusic ((( Creed Bratton Discography Main Albums )))” (in English). allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&searchlink=CREED. Retrieved 2009-06-18.
Billboard
Official website
External links
The-GrassRoots.com Official Site
The Grass Roots at AllMusic.com
CreedBratton.com
RickCoonce.com
WarrenEntner.com
TerryFurlong.com
RobGrill.com
ReedKailing.com
Joel-Larson.com
Naughtones.com
DennisProvisor.com
Gunga Dave Stensen
Marty Angelo.com former manager.
Sechman.com Scott Sechman
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Songwriters On A Mission Guest Writer
Since the advent of the Internet, people who share interests and hobbies have been able to network and exchange information easier than ever before. While there are, and have been, plenty of people who are into ukuleles, finding a way to connect with other enthusiasts was a bit difficult in the past. One of the easiest ways to connect, however, is over a ukulele forum. These online message boards enable users to carry on conversations and, best of all, those conversations are archived so that the information communicated is not lost.
The Ukulele Underground is one of the most popular forums on the Internet. It contains extensive information about buying ukuleles, getting started playing them as well as information that is more geared toward experienced, even professional, players. This forum is generally very lively. Those who come from other instruments will find other individuals who share the same history on this, and other, forums. There are also contacts, song tablatures and other information freely available on this site. Like most online forums, a membership is required to make posts or to reply to them, though one is not required to view most of the information on the page.
The Flea Market Music Bulletin Board is another popular ukulele forum. There are numerous topics to view on the pages included on this site. Like the Ukulele Underground, there are posts here that will appeal to both beginners and professionals. There are also long, ongoing conversations that offer significant depth regarding the topics discussed. Songwriting, performance, instrument modifications and other aspects of owning and playing a ukulele are widely-discussed on this forum. There is also a marketplace on this forum where ukulele enthusiasts can buy and sell items. Essentially, the flea market reference is entirely appropriate, as this site is good for finding bargains and having fun.
The Uke is yet another leading ukulele forum. The posts on this site are extensive where beginner information is concerned. There are also sound files—MP3s, mostly—of ukulele performances. Like the other forums, there is good information offered by experienced players to those who are just getting started. The Uke, like the other forums, requires a membership for visitors to post or reply, though most of the posts can be read by anyone who happens by the site. Sheet music and other resources are available at this site.
No matter which ukulele forum one chooses, make sure to read the posts and to get the feel of the site and, if it seems wrong, look elsewhere. The memberships to these sites are free, in the vast majority of cases, so there’s really no risk in signing up for a forum account and reading some posts and even replying, if one is so inclined. At the very least, a beginner can get good tips, some sheet music and tablature and some advice on how to play that music from some experienced hands. Like most other groups, ukulele players have made good use of the Internet.
EasyUkulele.com is your one stop resource to learning how to play the ukulele. At EasyUkulele.com you are able to both listen and watch lessons on playing the ukulele as well as find expert advice from Kainoa Louis on manufacturers, tips on playing, chords, music and more.
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Songwriters On A Mission Guest Writer
Robert Leroy Johnson who was born on May 8, 1911 and died on August 16, 1938 was a famous musician of the American blues genre, and is counted among the most famous of all the musicians of the Delta blues category. His compositions have been a testimony to a remarkable and exquisite combination of guitar skills, singing, and talent for songwriting that have widely influenced multiple generations of talented musicians.
However, not much is known about the life of Robert Leroy Johnson who died at an early age. Robert Leroy Johnson was popularly known as Skip James Deep Dark Delta Blues Man.
In his early days, Skip James would typically play for small tips on the corners of the street or in the front of a restaurant or a local barber shop. Skip James exactly played what the audience wanted him to and not essentially original compositions, and certainly not blues music.
With the God gifted ability of picking up any kind of tune just by hearing once, Johnson would have no problem at all in giving the audiences exactly what they demanded to hear.
At music recording session, held in November, 1936 in San Antonio, which the Brunswick Records had turned into a studio that was temporary, Johnson would typically perform facing the entire wall.
Among all the compositions Johnson had recorded while in San Antonio were “I Believe I’ll Dust My Broom” , “Kind Hearted Woman Blues”, “Come On In My Kitchen”, and “Cross Road Blues”. The “Come on in My Kitchen” song included the famous lines: “The woman I love took from my best friend/some joker got lucky, stole her back again/you better come on in my kitchen, it’s going to be rainin’ outdoors.”
In “Cross Road Blues,” which happened to be another of his masterpiece, he sang: “I went to the crossroads, fell down on my knees/I went to the crossroads, fell down on my knees/I asked the Lord above, have mercy, save poor Bob if you please/Uumb, standing at the crossroads I tried to flag a ride/Standing at the crossroads I tried to flag a ride/Ain’t nobody seem to know me, everybody pass me by.”
At least 6 of Johnson’s blues category songs had a mention of the devil incarnate or a certain form of the eerie and the supernatural.
Johnson died at an early age of 27 and with him went away a great deal of promise and talent. He had almost singlehandedly made popular the Blues genre of songs. He had this unconventional streak about himself when many of his masterpieces had a mention of the supernatural and the eerie and these songs would repeatedly mention of the devil and the Satan. Johnson was a trendsetter in the truest sense.
Bruce Lamb Has been playing guitar for 40 years and has been an award winning video producer for 25 years. He began producing instructional guitar videos and DVD’s with world class Grammy Award winning artist in 2000. Bruce is also the owner of The Guitar Workshop, and the inventor of the Casextreme Guitar Flight Case for airline travel. The Guitar Workshop has Free learn to play guitar DVD lessons sent to the student’s door for members who also sign up for online lessons. www.TheGuitarWorkshop.com
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Songwriters On A Mission Guest Writer
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Songwriters On A Mission Guest Writer
In movies music plays a very important role. This is possible only if you have the music licensing facility. Music is also a great way to earn extra buck if you are a songwriter. The procedure does not entail offering your music. It involves a lot of learning as there are many things which you should keep in mind. The music licensing for movies requires the use of many tricks which are involved in the business. It also involves learning how to take advantage of the assets available as this will help you gain success in the movie industry.
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The music licensing for movies has become a must as music piracy is widely prevalent in the music industry. This has driven the musicians to go for licensing their music. The license helps them to protect their music from illegal abuse. The music licensing procedure prevents the illegal practice of using the music without taking permission of the musicians and without paying the due price. The procedure of licensing involves adopting the policy of copy right which will let the users use the tracks in a legal way to advertise their brand.
Advertisement is a strong scheme to increase one’s customers. The production company usually uses the hit tracks for promotional purposes. The companies which specialize in the music licensing for movies have the legal right to allow the clients to buy the music which they want for their movies. These companies have their websites on the internet. Today if you want to buy a music license then you can just go to one of the music licensing sites and apply. There are many people in the world who want to buy license for their musical work.
If you are opting for music licensing then it implies that you are entering an agreement. The movie production houses as well as the licensing companies are expected to abide by each and every rule written in the agreement. The agreement not only contains the methods of handling the financial aspects of licensing but also includes the limited use of songs. The license of the musicians may clearly state limitations on the free use of music. The company in charge of providing music licensing for movies should follow each norm of the agreement to echo its principle and qualified responsibility.
Harry Smith is a music lover and wishes to become a music dealer. For more information on music licensing for movies and music licensing contact http://www.musicdealers.com
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